Marcia Jane

Dark Matter, 2015, multiple flatscreens with looping media playback and sound, multiple MP4 files, dimensions variable.

Images Matthew Stanton.

VCA Postgraduate Gallery, Melbourne.

Two temporarily entangled objects.

Modulator, 2013, mini LED projector, SD card, MP4 file, 16mm projection lens, stand.

Images Matthew Stanton.

History is Our Audience curated by Kelly Fliedner, West Space, Melbourne.

Black Noise, 2012, Nord Micro Modular synthesizer, stereo amplifier, Musicolor, Eiki 16mm film projectors, film loops cut from 16mm black and white work prints.

Essay by Dirk de Bruyn >

West Space, Melbourne.

A re-presentation of a work originally for Parisonic Festival.

Energy Field 5, 2011, digital projector with optical modifier, DVD player, random-play DVD disc.

BYOB (Bring Your Own Beamer),
Tristian Koenig Gallery, Melbourne.

Energy Field 10, 2011, Four digital projectors with optical modifiers, four DVD players, four random-play DVD discs, two latex screens in a cinema space.

What is Music? Festival, Melbourne.

Energy Field 8, 2011, two digital projectors with optical modifiers, two DVD players, two random-play DVD discs.

Sydney Architecture Festival,
Carriageworks, Sydney.

Two 'opposing' projection channels in two separate rooms; part of a longer group screening program in each room, so the two images synchronised in the two spaces only at random.

Energy Field 7, 2011, two digital projectors, two MP2 video files.

Images Matthew Stanton.

Blindside, Melbourne.

A pair of opposing multicoloured strobing circles on the walls of the cellar below the gallery space at Les Instants Chavirés.

Energy Field 4, 2011, two digital projectors with optical modifiers, two DVD players, two random-play DVD discs.

Hear & Now – Artists Interviews book (+ CD) >

Images (1,4) Eric la Casa.

Parisonic Festival,
Les Instants Chavirés, Montreuil (Paris).

A large multicoloured strobing circle fills the end of a narrow space.

Energy Field 3, 2011, digital projector with optical modifier, DVD player, random-play DVD disc.

Art Beat, Melbourne.

Marcia Jane – video/ projections
Dinesh de Silva – sound

Dematerialization, 2010, four digital projectors, six studio monitors, one subwoofer, 11 DVD players, 11 random-play DVD discs. Limited edition catalogue booklet/ DVD.

Images (1,4) Daniel O'Brien, (2,3) Tim McNeilage

First Site, Melbourne.

Live audiovisual performance, 2008.

Marcia Jane – video/ MaxMSP
Philip Samartzis – sound

Institute of Modern Art, Brisbane.

Dynamically sequenced projections with a MaxMSP governing system; part of a larger collaborative installation.

Dave Brown – sound
Marcia Jane – video/ MaxMSP
Marc Rogerson – sculpture/ light/ sensors/ automation
Philip Samartzis – sound

Cluster, 2008, two digital projectors, MaxMSP software, computer.

VCA Margaret Lawrence Gallery, Melbourne.

Time Ball, 2007, single-channel SD video, 5.44min PAL 16:9 stereo.

Nominated Best Experimental Short, Melbourne International Film Festival, 2008.

Screened at Alternative Film/Video, Akademski filmski centar Belgrade (2013); 3rd Kuala Lumpur Experimental Film and Video Festival Malaysia (2012); Australian International Experimental Film Festival (2010); Tokyo Metropolitan Museum of Photography (2009); VideoFest 2K8 Mexico (2008); Melbourne International Film Festival (2008); RMIT School of Art Gallery, Melbourne (2008); Australian Centre for the Moving Image (2007).

A pair of videos; two complementary parts.

Ribbon 1, 2006, single-channel SD video, 5min PAL 16:9 stereo.
Ribbon 2, 2007, single-channel SD video, 5min PAL 16:9 stereo.

Screened at Kings ARI, Melbourne (2014); New Low, Melbourne (2012); TAPE Project Space, Melbourne (2007).